Don't we all!
Remember that in an ensemble, we may produce an impressive performance from harmonic complexity or rhythmic complexity without necessarily having raw speed, so good music and fast music are not necessarily one and the same.
But if you can play at speed with neatness and precision, you have more control and legato that you can bring to slow pieces as well.
It's tempting to say "practise more", and that, of course, is part of the solution. But if you play badly at speed and you practise a lot, you simply learn how to play badly at speed with less effort. Playing with mistakes simply reinforces how to play badly.
So the most important point of all is to play for perfection and then to increase speed, not the other way round.
The Guitar is a cumbersome instrument - it takes two (different) actions in the two hands to make each note. If the right hand plucks before the
left hand has made the note, there will be a wrong note (left hand not in position) or a muffled note (left hand in the act of pressing the string down).
And so, in normal playing, the left hand arrives marginally before the right. This cuts the previous note
very slightly short and follows it with a tiny period of silence until the string is plucked.
It's this tiny period of silence - imperceptible in slow playing - that becomes significant when the notes are very short.
Playing fast is all about minimising this silence.
If slow runs are not perfect, fast ones cannot possibly be. Slow runs give you time to hear what is not right - intelligent and conscientious listening can root out problems that are harder to diagnose at speed. It's easier to hear detail if you record yourself and listen to the recording, so that you are not concentrating on "doing" at the same time as listening.
Human musculature is such that force and control are not natural bedmates.
Minimising the effort expended will result in much better control...
The How fast is fast? article
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