About my ensemble guitar music
I have a simple philosophy in creating music - music is to be enjoyed.
- If a piece is to be enjoyed it needs appeal for the listener on its
first hearing.
- If a piece is to be studied it needs appeal for the player on its
first playing.
And there's an added constraint when writing for novice and intermediate
Guitar Ensemble groups...
- If a piece is to work as an Ensemble item it needs success for the
players on its first run-through.
Accessible is the fashionable word. Accessible music is fun music.
To address all this, my music has a strong melody, a supportive bass-line
and under-the-finger harmonies. Many of the pieces have a lively rhythm,
so that they motor along and hold tightly together.
I've placed the best of my music with publishers, and more is on the
way.
Each of my 75 Ensembles has been tested on willing (and unwilling, come
to think of it) volunteers to check that there's a fighting chance that
each piece comes together at a first playing. And there is!
Much of my music is single-line, and in the practical
sessions, you see that this is both an advantage when learning, and
a great opportunity when playing. When you try the incipits here, don't
just play the few bars. Try them in different positions,
with different tone and different articulation. Compared
to Solo Guitar, an Ensemble can hit much wider endstops of tone, volume
and articulation - something which should be applied in your every playing.
You will be surprised how much more can come from simple music
when you attack it up the neck, with confidence and volume.
Tthere is nothing more demoralising for a newly formed
ensemble than to purchase inappropriate music and then to hear the fruits
of a week's individual practice at home culminate in a complete and utter
pig's breakfast when the group meets together. I hope my incipits
will assure you that your purchases will never be inappropriate.
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