Decimal Intervals - the 2002 April Fool
The Setup...
Living in the UK, I'm one of those people who regards myself as
European when it suits me, and British when it doesn't.
I was sitting up just past midnight last night, surfing the Internet,
trying to research my family tree, since a woman at work has a relative
sharing the same surname as me (Hasted) and we are to exchange family
trees.
I digress.
As always, some of the search engine results really aren't at all
relevant, but I came across one which was thrown up because it was
written by a namesake of mine. It brings together recent correspondence
on the list about micro-tonality, and the terrible bureaucracy that
can be the EC.
Already, of course, Britain has given up its currency - the 12
pence to the shilling was a wonderful concept, the shilling being
divisible by 2,3,4 and 6. And the foot is on the way out, again
divisible by 2,3,4 and 6 - replaced by the division of a metre into
100 pieces...
But the latest suggestion from Brussels really takes the biscuit.
There is a suggestion that 12-tone music could similarly be "harmonised"
(forgive the pun) into the EC way of doing things, and there is
to be an investigation into 10-tone music. Initially, of course,
the investigation will centre around the violin family, which is
able to make such notes without modification. Evidently the sixth
degree of the ten-tone scale is very close to the perfect fifth
(the seventh degree of the normal equi-tempered scale), so that
primitive harmonies can still exist. Other chords, though, will
have a richer and more vibrant sound, due to the presence of a whole
family of difference tones at different frequencies.
Has anyone ANY IDEA why this sort of thing has to come from Brussels?
Surely this sort of innovative experimentation can be done by individuals,
not thrust upon the musical community simply to make every darn
thing that comes out of Europe divisible by ten.
The Punchline...
Postscript - the above April Fool caught one or two people, but my composer friend Mark
Gould has risen to the challenge and produced this interesting piece - I was going to say "quite delightful", but that really would be stretching the point - using my April Fool 10-tone scale.
Play the music (311Kb)
Visit Mark Gould's website
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